Tuesday 13 August 2013

A soliloquy

A soliloquy is a device frequently used in drama when a character converses with himself or herself, relating feelings and thoughts, thus also sharing them with the viewers. Other characters, however, are not responsive to what is being said. A soliloquy is different from a monologue or an aside: a monologue is a speech where one character speaks to other characters; an aside is a comment by one character towards the viewers. 

Soliloquies were often used in dramas but became outdated when drama shifted towards realism in the late 18th century. At present, Korean screenwriters regularly add short soliloquies in Koran drama. Queen In-Hyun's Man is a good example.

Wednesday 27 February 2013

Soliloquy

"Soliloquy" is a 1945 song composed by Richard Rodgers, with lyrics by Oscar Hammerstein II, written for their 1945 musical Carousel, where it was introduced by John Raitt.

The now jobless carousel barker Billy Bigelow, the antihero of the musical, sings this seven-and-a-half minute song just after he has learned he is about to become a father. In it, he happily daydreams over what it would be like to be a father to a boy, but midway through the song, he is horrified and disappointed to realize that it could turn out to be a girl. The song immediately becomes more tender, as he begins to like the idea. At song's end, he considers that a girl needs the very best a father can offer, and decides to get money to provide for her. It is this idea that spurs him on to help his criminal pal Jigger Craigin in committing a robbery, an act which ultimately leads to personal disaster for Billy.

Frank Sinatra had recently become a father when he recorded "Soliloquy" for the first time on May 28, 1946. With the time limitation of about 3:30 on a 10" 78-rpm record his 7:57 long recording was released on Columbia's Masterwork label (the classical division) as two sides of a 12" record.

The song is extremely unusual in that it requires the singer to sing solo (and occasionally speak) for a full seven-and-a-half minutes, in the manner of an operatic aria, without the benefit of an accompanying choral group "taking up the slack", as is usually the case in long musical numbers (e.g. Ol' Man River). The lengthy song Glitter and Be Gay, from Leonard Bernstein's Candide, makes a similar requirement of the soprano performing it.